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<br /> <br /> 72 Producer&rsquo;s Edge May-June 2009<br /> IK Multimedia<br /> T-Racks 3 mastering Suite<br /> <br /> Standalone and VST, Mac PC VST RTAS, AU<br /> Deluxe $499, Standard $399 Single Plugs $99<br /> Available as Digital Download<br /> Words by Saga Legend<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> Enbteerdinifgficthuelt mfoyrsttehroioseusjuwmoprldingofimnafsotrertihneg cfiarsnt<br /> time to even the experienced engineer. The fact<br /> that this step can literally make or break a record<br /> can be enough to send any novice or professional<br /> reeling. Fortunately IK Multimedia has taken<br /> some of the voodoo out of mastering with their<br /> introduction of the new T-Racks 3 mastering suite.<br /> This suite is an upgrade from the older T-Racks<br /> system.<br /> <br /> What&rsquo;s Inside the Rack<br /> <br /> The new T-Racks comes stocked with ne<a title="Issue 06 Producer’s Edge Digital Edition page 72" href="http://catalog.proemags.com/publication/9dc7f6aa?page=72">72 Producer&rsquo;s Edge May-June 2009</a> 72 Producer&rsquo;s Edge May-June 2009<a title="Issue 06 Producer’s Edge Digital Edition page 31" href="http://catalog.proemags.com/publication/9dc7f6aa?page=31">IK MultimediaT-Racks 3 mastering SuiteStandalo</a> IK MultimediaT-Racks 3 mastering SuiteStandalo<a title="Issue 06 Producer’s Edge Digital Edition page 46" href="http://catalog.proemags.com/publication/9dc7f6aa?page=46">46 Producer&rsquo;s Edge May-June 2009</a> 46 Producer&rsquo;s Edge May-June 2009<a title="Issue 06 Producer’s Edge Digital Edition page 57" href="http://catalog.proemags.com/publication/9dc7f6aa?page=57">pads and bangin away- hoping for something hot to</a> pads and bangin away- hoping for something hot to<a title="Issue 06 Producer’s Edge Digital Edition page 54" href="http://catalog.proemags.com/publication/9dc7f6aa?page=54">54 Producer&rsquo;s Edge May-June 2009</a> 54 Producer&rsquo;s Edge May-June 2009<a title="Issue 06 Producer’s Edge Digital Edition page 37" href="http://catalog.proemags.com/publication/9dc7f6aa?page=37">Nucleus SoundlabViral OutbreakVST Plug-in and </a> Nucleus SoundlabViral OutbreakVST Plug-in and <a title="Issue 06 Producer’s Edge Digital Edition page 73" href="http://catalog.proemags.com/publication/9dc7f6aa?page=73">73 Producer&rsquo;s Edge May-June 2009</a> 73 Producer&rsquo;s Edge May-June 2009<a title="Issue 06 Producer’s Edge Digital Edition page 12" href="http://catalog.proemags.com/publication/9dc7f6aa?page=12">12 Producer&rsquo;s Edge May-June 2009http://www.nati</a> 12 Producer&rsquo;s Edge May-June 2009http://www.nati<a title="Issue 06 Producer’s Edge Digital Edition page 32" href="http://catalog.proemags.com/publication/9dc7f6aa?page=32">MOTU BPMStandalone VSTiLok protection (key incl</a> MOTU BPMStandalone VSTiLok protection (key incl<a title="Issue 06 Producer’s Edge Digital Edition page 47" href="http://catalog.proemags.com/publication/9dc7f6aa?page=47">The Virtual Patch area shouldn&rsquo;t be overlooked. W</a> The Virtual Patch area shouldn&rsquo;t be overlooked. W<a title="Issue 06 Producer’s Edge Digital Edition page 66" href="http://catalog.proemags.com/publication/9dc7f6aa?page=66">combination of drives and media work best for mak</a> combination of drives and media work best for mak<a title="Issue 06 Producer’s Edge Digital Edition page 2" href="http://catalog.proemags.com/publication/9dc7f6aa?page=2">2 Producer&rsquo;s Edge May-June 2009</a> 2 Producer&rsquo;s Edge May-June 2009<a title="Issue 06 Producer’s Edge Digital Edition page 36" href="http://catalog.proemags.com/publication/9dc7f6aa?page=36">36 Producer&rsquo;s Edge May-June 2009</a> 36 Producer&rsquo;s Edge May-June 2009<a title="Issue 06 Producer’s Edge Digital Edition page 58" href="http://catalog.proemags.com/publication/9dc7f6aa?page=58">58 Producer&rsquo;s Edge May-June 2009</a> 58 Producer&rsquo;s Edge May-June 2009<a title="Issue 06 Producer’s Edge Digital Edition page 33" href="http://catalog.proemags.com/publication/9dc7f6aa?page=33">X-Samples. It&rsquo;s a huge library that avoids the RO</a> X-Samples. It&rsquo;s a huge library that avoids the RO<a title="Issue 06 Producer’s Edge Digital Edition page 35" href="http://catalog.proemags.com/publication/9dc7f6aa?page=35">using Slice, Grid or Transients and adjust the se</a> using Slice, Grid or Transients and adjust the se<a title="Issue 06 Producer’s Edge Digital Edition page 5" href="http://catalog.proemags.com/publication/9dc7f6aa?page=5">Simon Cann on SynthesisWords by Griffin Avid</a> Simon Cann on SynthesisWords by Griffin Avid<a title="Issue 06 Producer’s Edge Digital Edition page 9" href="http://catalog.proemags.com/publication/9dc7f6aa?page=9">DSI MOPHOWinner:DJShabofSherrellProductionsWhp</a> DSI MOPHOWinner:DJShabofSherrellProductionsWhp<a title="Issue 06 Producer’s Edge Digital Edition page 71" href="http://catalog.proemags.com/publication/9dc7f6aa?page=71">you&rsquo;ll develop? How about a slew of guest rappers</a> you&rsquo;ll develop? How about a slew of guest rappers<a title="Issue 06 Producer’s Edge Digital Edition page 42" href="http://catalog.proemags.com/publication/9dc7f6aa?page=42">The voice is formed by the interaction between th</a> The voice is formed by the interaction between th<a title="Issue 06 Producer’s Edge Digital Edition page 64" href="http://catalog.proemags.com/publication/9dc7f6aa?page=64">Master &ndash; The Glass Master used in the Replication</a> Master &ndash; The Glass Master used in the Replication<a title="Issue 06 Producer’s Edge Digital Edition page 6" href="http://catalog.proemags.com/publication/9dc7f6aa?page=6">SimonCann:Colorfulhuesforvividtunesmatter of pu</a> SimonCann:Colorfulhuesforvividtunesmatter of pu<a title="Issue 06 Producer’s Edge Digital Edition page 25" href="http://catalog.proemags.com/publication/9dc7f6aa?page=25">25 Producer&rsquo;s Edge May-June 2009</a> 25 Producer&rsquo;s Edge May-June 2009<a title="Issue 06 Producer’s Edge Digital Edition page 10" href="http://catalog.proemags.com/publication/9dc7f6aa?page=10">have had it to warm up or thicken a sound froman</a> have had it to warm up or thicken a sound froman<a title="Issue 06 Producer’s Edge Digital Edition page 44" href="http://catalog.proemags.com/publication/9dc7f6aa?page=44">Griffin Avid&rsquo;s CornerProgramming the microKORG X</a> Griffin Avid&rsquo;s CornerProgramming the microKORG X<a title="Issue 06 Producer’s Edge Digital Edition page 43" href="http://catalog.proemags.com/publication/9dc7f6aa?page=43">43 Producer&rsquo;s Edge May-June 2009</a> 43 Producer&rsquo;s Edge May-June 2009<a title="Issue 06 Producer’s Edge Digital Edition page 18" href="http://catalog.proemags.com/publication/9dc7f6aa?page=18">FILTER knob past 12:00, and repeatedly play a not</a> FILTER knob past 12:00, and repeatedly play a not<a title="Issue 06 Producer’s Edge Digital Edition page 38" href="http://catalog.proemags.com/publication/9dc7f6aa?page=38">Surprisingly, Nucleus Soundlab did include theAcc</a> Surprisingly, Nucleus Soundlab did include theAcc<a title="Issue 06 Producer’s Edge Digital Edition page 1" href="http://catalog.proemags.com/publication/9dc7f6aa?page=1"></a> <a title="Issue 06 Producer’s Edge Digital Edition page 41" href="http://catalog.proemags.com/publication/9dc7f6aa?page=41">Sound generation system MMT (Multiple Modeli</a> Sound generation system MMT (Multiple Modeli<a title="Issue 06 Producer’s Edge Digital Edition page 63" href="http://catalog.proemags.com/publication/9dc7f6aa?page=63">you look at a tape&rsquo;s case from the top, the part </a> you look at a tape&rsquo;s case from the top, the part <a title="Issue 06 Producer’s Edge Digital Edition page 16" href="http://catalog.proemags.com/publication/9dc7f6aa?page=16">SynthesizingpercussivesoundsontheVoyagerbyAmos </a> SynthesizingpercussivesoundsontheVoyagerbyAmos <a title="Issue 06 Producer’s Edge Digital Edition page 14" href="http://catalog.proemags.com/publication/9dc7f6aa?page=14"> So with these types of accolades, I was up for </a> So with these types of accolades, I was up for <a title="Issue 06 Producer’s Edge Digital Edition page 77" href="http://catalog.proemags.com/publication/9dc7f6aa?page=77">77 Producer&rsquo;s Edge May-June 2009</a> 77 Producer&rsquo;s Edge May-June 2009<a title="Issue 06 Producer’s Edge Digital Edition page 65" href="http://catalog.proemags.com/publication/9dc7f6aa?page=65">their properly-encoded discs don&rsquo;t display the CD</a> their properly-encoded discs don&rsquo;t display the CD<a title="Issue 06 Producer’s Edge Digital Edition page 55" href="http://catalog.proemags.com/publication/9dc7f6aa?page=55">Hardware Special SoundsForSamplersAKAI MPC 5000 </a> Hardware Special SoundsForSamplersAKAI MPC 5000 <a title="Issue 06 Producer’s Edge Digital Edition page 23" href="http://catalog.proemags.com/publication/9dc7f6aa?page=23">LOOPER EFFECT Looper bringsthecreativepowerofcla</a> LOOPER EFFECT Looper bringsthecreativepowerofcla<a title="Issue 06 Producer’s Edge Digital Edition page 21" href="http://catalog.proemags.com/publication/9dc7f6aa?page=21">21 Producer&rsquo;s Edge May-June 2009</a> 21 Producer&rsquo;s Edge May-June 2009<a title="Issue 06 Producer’s Edge Digital Edition page 75" href="http://catalog.proemags.com/publication/9dc7f6aa?page=75">Perry, Justin Timberlake. Anyone who&rsquo;s just makin</a> Perry, Justin Timberlake. Anyone who&rsquo;s just makin<a title="Issue 06 Producer’s Edge Digital Edition page 60" href="http://catalog.proemags.com/publication/9dc7f6aa?page=60">is from the RolandTR-808.That serious low-end boo</a> is from the RolandTR-808.That serious low-end boo<a title="Issue 06 Producer’s Edge Digital Edition page 4" href="http://catalog.proemags.com/publication/9dc7f6aa?page=4">Meet the new JUNO-STAGE, and getready to </a> Meet the new JUNO-STAGE, and getready to <a title="Issue 06 Producer’s Edge Digital Edition page 76" href="http://catalog.proemags.com/publication/9dc7f6aa?page=76">Final Word: The Next Thing forthe Copy Cat, Slop</a> Final Word: The Next Thing forthe Copy Cat, Slop<a title="Issue 06 Producer’s Edge Digital Edition page 40" href="http://catalog.proemags.com/publication/9dc7f6aa?page=40">KORG microKORG XLThe Retro Box that RoxWords by</a> KORG microKORG XLThe Retro Box that RoxWords by<a title="Issue 06 Producer’s Edge Digital Edition page 50" href="http://catalog.proemags.com/publication/9dc7f6aa?page=50">a real instrument and a microphone; there is no p</a> a real instrument and a microphone; there is no p<a title="Issue 06 Producer’s Edge Digital Edition page 70" href="http://catalog.proemags.com/publication/9dc7f6aa?page=70">We&rsquo;re open to all new sounds. We&rsquo;re kind of like&hellip;</a> We&rsquo;re open to all new sounds. We&rsquo;re kind of like&hellip;<a title="Issue 06 Producer’s Edge Digital Edition page 3" href="http://catalog.proemags.com/publication/9dc7f6aa?page=3">Producer&rsquo;s Edge Magazine877.822.2897Info@Produc</a> Producer&rsquo;s Edge Magazine877.822.2897Info@Produc<a title="Issue 06 Producer’s Edge Digital Edition page 17" href="http://catalog.proemags.com/publication/9dc7f6aa?page=17">note lengths on different hits. This trick works </a> note lengths on different hits. This trick works <a title="Issue 06 Producer’s Edge Digital Edition page 19" href="http://catalog.proemags.com/publication/9dc7f6aa?page=19">19 Producer&rsquo;s Edge May-June 2009</a> 19 Producer&rsquo;s Edge May-June 2009<a title="Issue 06 Producer’s Edge Digital Edition page 7" href="http://catalog.proemags.com/publication/9dc7f6aa?page=7">I&rsquo;m a big fan of FM synthesis and more people sho</a> I&rsquo;m a big fan of FM synthesis and more people sho<a title="Issue 06 Producer’s Edge Digital Edition page 45" href="http://catalog.proemags.com/publication/9dc7f6aa?page=45"> </a> <a title="Issue 06 Producer’s Edge Digital Edition page 26" href="http://catalog.proemags.com/publication/9dc7f6aa?page=26">DreamMachineDevineMachines&rsquo;OTR88ElectricPianoSta</a> DreamMachineDevineMachines&rsquo;OTR88ElectricPianoSta<a title="Issue 06 Producer’s Edge Digital Edition page 30" href="http://catalog.proemags.com/publication/9dc7f6aa?page=30">Beyond MasteringHigh-End Mastering</a> Beyond MasteringHigh-End Mastering<a title="Issue 06 Producer’s Edge Digital Edition page 51" href="http://catalog.proemags.com/publication/9dc7f6aa?page=51">51 Producer&rsquo;s Edge May-June 2009</a> 51 Producer&rsquo;s Edge May-June 2009<a title="Issue 06 Producer’s Edge Digital Edition page 67" href="http://catalog.proemags.com/publication/9dc7f6aa?page=67">67 Producer&rsquo;s Edge May-June 2009</a> 67 Producer&rsquo;s Edge May-June 2009<a title="Issue 06 Producer’s Edge Digital Edition page 74" href="http://catalog.proemags.com/publication/9dc7f6aa?page=74">74 Producer&rsquo;s Edge May-June 2009</a> 74 Producer&rsquo;s Edge May-June 2009<a title="Issue 06 Producer’s Edge Digital Edition page 59" href="http://catalog.proemags.com/publication/9dc7f6aa?page=59">There was no AbletonLive, ProTools LE,Soft</a> There was no AbletonLive, ProTools LE,Soft<a title="Issue 06 Producer’s Edge Digital Edition page 68" href="http://catalog.proemags.com/publication/9dc7f6aa?page=68">There are production teams and then there are pro</a> There are production teams and then there are pro<a title="Issue 06 Producer’s Edge Digital Edition page 39" href="http://catalog.proemags.com/publication/9dc7f6aa?page=39">take the &lsquo;building block&rsquo; sounds of a Virus and u</a> take the &lsquo;building block&rsquo; sounds of a Virus and u<a title="Issue 06 Producer’s Edge Digital Edition page 49" href="http://catalog.proemags.com/publication/9dc7f6aa?page=49">In The Loop Series:Big Fish Audio Bollyhood Beat</a> In The Loop Series:Big Fish Audio Bollyhood Beat<a title="Issue 06 Producer’s Edge Digital Edition page 22" href="http://catalog.proemags.com/publication/9dc7f6aa?page=22"> </a> <a title="Issue 06 Producer’s Edge Digital Edition page 8" href="http://catalog.proemags.com/publication/9dc7f6aa?page=8">Get2T-RackS3SinglesPlug-insforthepriceof1, Get</a> Get2T-RackS3SinglesPlug-insforthepriceof1, Get<a title="Issue 06 Producer’s Edge Digital Edition page 61" href="http://catalog.proemags.com/publication/9dc7f6aa?page=61">There always seems to be abig debate about </a> There always seems to be abig debate about <a title="Issue 06 Producer’s Edge Digital Edition page 69" href="http://catalog.proemags.com/publication/9dc7f6aa?page=69">powerful cat in this equation and that he should </a> powerful cat in this equation and that he should <a title="Issue 06 Producer’s Edge Digital Edition page 53" href="http://catalog.proemags.com/publication/9dc7f6aa?page=53">Numerous effects that can be automated in real ti</a> Numerous effects that can be automated in real ti<a title="Issue 06 Producer’s Edge Digital Edition page 28" href="http://catalog.proemags.com/publication/9dc7f6aa?page=28">graphic overlays appeared on top of the stomp box</a> graphic overlays appeared on top of the stomp box<a title="Issue 06 Producer’s Edge Digital Edition page 62" href="http://catalog.proemags.com/publication/9dc7f6aa?page=62">Mastering Part IV:CD Mastering ABy L-ROX, Redse</a> Mastering Part IV:CD Mastering ABy L-ROX, Redse<a title="Issue 06 Producer’s Edge Digital Edition page 48" href="http://catalog.proemags.com/publication/9dc7f6aa?page=48">48 Producer&rsquo;s Edge May-June 2009</a> 48 Producer&rsquo;s Edge May-June 2009<a title="Issue 06 Producer’s Edge Digital Edition page 24" href="http://catalog.proemags.com/publication/9dc7f6aa?page=24">WorkflowBrowser Preview Tab for both MIDI and au</a> WorkflowBrowser Preview Tab for both MIDI and au<a title="Issue 06 Producer’s Edge Digital Edition page 27" href="http://catalog.proemags.com/publication/9dc7f6aa?page=27">27 Producer&rsquo;s Edge May-June 2009</a> 27 Producer&rsquo;s Edge May-June 2009<a title="Issue 06 Producer’s Edge Digital Edition page 34" href="http://catalog.proemags.com/publication/9dc7f6aa?page=34">Beats as a Bridge to a BuildingEachinstanceofBP</a> Beats as a Bridge to a BuildingEachinstanceofBP<a title="Issue 06 Producer’s Edge Digital Edition page 29" href="http://catalog.proemags.com/publication/9dc7f6aa?page=29">29 Producer&rsquo;s Edge May-June 2009</a> 29 Producer&rsquo;s Edge May-June 2009<a title="Issue 06 Producer’s Edge Digital Edition page 52" href="http://catalog.proemags.com/publication/9dc7f6aa?page=52">Native InstrumentsMaschineHardware drum </a> Native InstrumentsMaschineHardware drum <a title="Issue 06 Producer’s Edge Digital Edition page 11" href="http://catalog.proemags.com/publication/9dc7f6aa?page=11">11 Producer&rsquo;s Edge May-June 2009</a> 11 Producer&rsquo;s Edge May-June 2009<a title="Issue 06 Producer’s Edge Digital Edition page 56" href="http://catalog.proemags.com/publication/9dc7f6aa?page=56">the face behind the place...PCs crash and my</a> the face behind the place...PCs crash and my<a title="Issue 06 Producer’s Edge Digital Edition page 20" href="http://catalog.proemags.com/publication/9dc7f6aa?page=20">20 Producer&rsquo;s Edge May-June 2009</a> 20 Producer&rsquo;s Edge May-June 2009<a title="Issue 06 Producer’s Edge Digital Edition page 15" href="http://catalog.proemags.com/publication/9dc7f6aa?page=15">15 Producer&rsquo;s Edge May-June 2009</a> 15 Producer&rsquo;s Edge May-June 2009<a title="Issue 06 Producer’s Edge Digital Edition page 13" href="http://catalog.proemags.com/publication/9dc7f6aa?page=13">InCtDh,isitLsoocopn,wteen&rsquo;ltl,beearseevieowf iuns</a> InCtDh,isitLsoocopn,wteen&rsquo;ltl,beearseevieowf iuns